lxxii New Dictionary of the History of Ideas
ratives called attoriolong
(Bugis for “that which
concerns people of the past”) which use lengths
of reigns and elapsed times rather than dates to fix chronology.
As these few examples illustrate, a proper survey of Indonesia’s
historiography must examine
several distinctive literatures and traditions. The construction
of a national sense of the past in the
face of multiple ethnicities has been no less daunting than the
establishment of the nation itself.
In the first half of the twentieth century, Dutch-trained
Indonesian historians concentrated on
providing a background to support aspirations for Indonesian national
independence. With the
backing of Japanese occupiers at war with Western colonial powers,
a nationalist-anticolonial historiography
was introduced during the early 1940s. This was largely the work
of the nationalist
leader and future president Sukarno, the textbook writer Sanusi
Pane (1905–1968), and especially
the lawyer Muhammad Yamin (1903–1962). Yamin, an admirer of the
Malay Tun Seri Lanang
and a reader of the French historian Ernest Renan, popularized a
romantic vision of history centered
on Java. A number of academics such as Muhammad Ali criticized the
nationalist bent in
historiography in the late 1950s and early 1960s, but it acquired
new teeth with the advent of the
Suharto regime after 1965. A more militaristic official
nationalist history emerged under the direction
of the historian, soldier, and minister of education, Nugroho
Notosusanto; a virulently
anticommunist and “patriotic” multivolume history of Indonesia
prepared in the 1970s, Sejarah
Nasional Indonesia, was an uneasy amalgam of official history with
the work of university-based
historians. During Suharto’s “New Order,” the nationalist
tradition was strictly enforced on
schools, even in outlying and problematic territories such as East
Timor. Since Suharto’s 1998
resignation, nationalist historiography has been openly challenged
by a number of alternative visions
of the past, including those representing different localities and
submerged ethnic groups
such as the Acehnese.
To the northeast of Borneo lie the Philippine islands. Long under
Spanish and then American
rule, the peoples of the Philippines adapted early on to the
historical interests of the conquerors,
to the great detriment of pre-existing historical memory. Tagalog awits or metrical poems include
the Historia famosa ni Bernardo
Carpio, a romance derived from
older stories of medieval Spanish-
Moorish conflict. Having largely eradicated precolonial forms of
literature, Spanish missionaries
used the awit as a tool of colonization; the awits became so familiar in both written and oral form
that, Reynaldo C. Ileto notes, the average Filipino by the
nineteenth century “knew more about
Emperor Charlemagne, the Seven Peers of France and the destruction
of Troy than of pre-Spanish
Philippine rajahs and the destruction of Manila by the
conquistadores” (Ileto in Reid and
Marr, p. 381). Ironically, the chivalric and heroic figures in the
awits would prove inspirational
to Tagalogs dreaming of emancipation from Spanish rule at the end
of the nineteenth century, as
they transformed the legendary Spaniard Bernardo into a
nationalist hero.
According to John N. Schumacher, there appears not to have been
any formal historiography
in the Philippines prior to the Spanish, despite the existence of
writing. The first post-Conquest
example is the Sucesos
de las Islas Filipinas, written
by the Spanish official and unsuccessful warrior
Antonio de Morga (1559–1636) and published in Mexico in 1609—the
only early history to
be written by a layman. Throughout the seventeenth and eighteenth
centuries, the various resident
religious orders produced chronicles largely focused on their own
missionary activities. As
with the awits, however, western histories proved eventually an
incitement to nationalism, particularly
in the hands of young Filipino secular priests sent back to Europe
for higher education
in the 1860s. Published work on Filipino folklore and customs
began to appear, along with previously
unpublished chronicles put out in the Biblioteca Historica Filipina series in the 1880s; the
journalist Isabelo de los Reyes would establish a Filipino
identity in a number of historicallyoriented
newspaper articles and books. A more sophisticated appeal to
history would emerge from
José Rizal (1861–1896), who had visited Germany and become aware
of western historical methods.
During an exile in London in 1887–1888, he provided a carefully
annotated edition of Morga’s
work, stressing the achievements of pre-Spanish Filipinos and
their moral decline under foreign
rule. In this form, Rizal’s views would both contribute to
revolutionary sentiment following his
execution, and ultimately to the continuation of historical study
through the ensuing decades of
American rule.
This very short survey of a small selection of Southeast Asian
historical traditions is far from
exhaustive (we have said nothing of the South Sea Islands, for
example, where a great deal of
ethnographic work on historical memory has been done in recent
years by anthropologists), but
HISTORIOGRAPHY
New Dictionary of the History of Ideas lxxiii
it provides a warning against assuming that history is exclusively
the perquisite of Western nations,
or even of highly bureaucratized Asian countries like Imperial
China. It is perhaps worth
offering the further cautionary observation that the types of
recent political repression of historians,
and attempts by governments to enforce a particular perspective on
the past, are conversely
not restricted to Indochinese totalitarian regimes or island
military dictatorships (nor to older authorities
like the Catholic Church and the ancient Qin emperors). In the
world’s largest democracy,
India, the advent in 1998 of the BJP-led government (defeated in
elections as this essay was
going to press) posed a serious threat to historiography and
historical pedagogy as the Hindu nationalist
regime undertook measures that included the excision of material
in school textbooks
(a measure publicly condemned by historians such as Sumit Sarkar)
and the encouragement of attacks
upon distinguished scholars such as Romila Thapar who were deemed
to hold disloyal views
of the nation’s past. Other examples can be found in the West,
such as the controversy in the
United States in 1995 over an exhibition to commemorate the
fiftieth anniversary of the dropping
of the Hiroshima atomic bomb, the virulent public reaction in
Canada to a 1991 television
series perceived as critical of the Canadian forces during World
War II, or the ongoing “history
wars” in Australia, turning in 2004 on sharp right-left
disagreements over the past treatment of
the aboriginal population by colonists and imperial authorities.
Even more odious monthly additions
to the list of historians suffering persecution of one sort or
another across the globe make
for uncomfortable reading.
The Middle East. After an eighteenth-century decline in Ottoman
historical writing, and the
temporary displacement of Arabic by Turkish as the dominant elite
language of much of the Islamic
world, Islamic historiography written in Arabic began to recover
in the mid-nineteenth century.
This occurred in the wake both of European expansion into the Middle
East and Africa and
of reforms within the Ottoman Empire itself, which gave rise to
incipient Arab nationalism. Many
areas had enjoyed some autonomy from Istanbul for a century, with
the result that there were already
some examples of Arabic-language histories focused on pan-Arab
national identity. This was
true in Tunisia and Lebanon as well as in Morocco, which
historically lay outside Ottoman control.
Arab intellectuals in the second half of the nineteenth century
began to write histories as continuous
narratives, rather than annals, devoted to establishing national
pasts, which now also
included the pre-Islamic periods. Older pan-Islamic cultural and
religious impulses remained as
important as newer Arab nationalism, as Muslims confronted the
dilemma of how to coexist with
Western infidel powers, and as modern Islamic thought, influenced
by Western science and technology,
itself began to take shape in the hands of activist-reformers like
Sayyid Jamal al-Din Afghani
(1838–1897), the author of a history of Afghanistan.
During this period, efforts were made to print historical sources,
and a number of learned societies
were founded with historical interests. The Egyptian ‘Abd
al-Rahman al-Djabarti
(1753–1825) anticipated this revival of historiography with his
compelling account of the French
occupation of Egypt, and a philosophy of history that echoed Ibn
Khaldun’s. Al-Djabarti’s countryman
Rifa’ah Rafi’ al-Tahtawi (1801–1873), who had spent five years in
Paris, became the channel
through which modern European historiography began to enter the
Arab world. He translated
several French works into Arabic and authored a history of ancient
Egypt that consciously emulated
modern rather than classical Islamic historical forms; he was also
instrumental in reforming
the Egyptian school curriculum, which by the 1870s routinely
included history. During the era
of British rule in Egypt, the influential politician Mustafa Kamil
further encouraged nationalist
views of his country’s past; this trend cut across and in many
ways contradicted the Islamic views
of most historical writing in the previous millennium.
Most of the historians in this period tended to be non-academics:
the Syrian Ilyas Matar
(1857–1910) was an Ottoman official, physician, and lawyer, and
his compatriot Jurji Yanni
(1856–1941) an Orthodox Christian journalist and intellectual. The
Lebanese-Egyptian Jurji Zaydan
(1861–1914) was a journalist and a prolific author of historical
novels in addition to a multivolume
history of Islamic civilization (1902–1906). Academic
historiography began slowly in the
post-Ottoman era starting in the 1920s, initially in the hands of
North American- and Europeantrained
scholars, thus extending the dominance of Western-style academic
history over the Islamic
world’s long distinct historiographic traditions. Asad Rustum, a
historian of Syria, published an
Arabic-language manual on Western historical method in 1939,
largely drawn from Langlois and
Seignobos’s famous textbook, a work that was already fast losing
ground in its homeland in the
face of the emerging Annaliste (see
below) historical revolution. A Lebanese Maronite, Philip Hitti,
HISTORIOGRAPHY
lxxiv New Dictionary of the History of Ideas
published a survey of Lebanon in History in 1957; more recently, Kamal Salibi (b. 1929) has revised
the history of Lebanon and made a close study of its earlier,
medieval historiography.
In Turkey itself, the collapse of the Ottoman regime and the
institution of Kemal Atatürk’s
republic in 1923 occasioned a significant rupture with the recent
past and with the longer tradition
of Ottoman official historiography whose last great
representative, Ahmed Cevdet Pasa
(1822–1895), a remote disciple of Ibn Khaldun, had produced an
enormous annalistic account
of events from 1774 to 1826 (continued by Cevdet Pasa’s successor
Ahmed Lutfi up to the 1860s).
Western scholarly methods had, however, begun to appear in Turkey,
along with European texts,
in the mid-nineteenth century; at the same time, new historical
genres such as memoirs also appeared.
The study of numismatics and sigillography arrived in Turkey about
the same time, and
the newer methods began to influence reference books, school
texts, and popular histories. The
Faculty of Letters at the University of Istanbul, established in
1900, became a training ground for
historians, and institutions such as the Imperial Museum of
Antiquities (1891, now the Archaeological
Museums) provided the infrastructure.
These developments provided a backdrop to the writings of the
first generation of republican
historians. Unsympathetic to the decay of the later Ottoman Empire
in the previous two hundred
years, the republicans nevertheless embraced the successes of the
empire’s glory days from the thirteenth
to the seventeenth centuries. As Cemal Kafadar notes, the founder
of modern Turkish historiography,
Mehmet Fuat Köprülü (1890–1966), began to articulate this vision
in the 1930s in
a series of lectures at the Sorbonne, soon published as The Origins of the Ottoman Empire in French
and Turkish. Köprülü focused on Osman (the eponymous founder of
the Ottoman house) and
the rise of the Turks in thirteenth-century Anatolia; his theories
would be elaborated and revised
by the Austrian Paul Wittek (1894–1978). The task of this
generation of historians, sorting out
legend from fact, and balancing ethnicity, religion, and other
influences, is in some ways redolent
of the romantic nationalist historiographies of the early and
middle years of the nineteenth century
and, more remotely, of Renaissance debates about national origins,
albeit now approached
with the tools of modern scholarship. The new work, to which
non-Turks such as Wittek and the
Greek George Arnakis (a severe critic of Köprülü) contributed, was
carried out against a longstanding
Western European historiography of the Ottomans dating back to the
Englishmen
Richard Knolles (c. 1550–1610) and Paul Rycaut (1628–1700) and
including more recently the
early-nineteenth-century Viennese Joseph von Hammer-Purgstall
(1774–1856), and the American
Herbert Gibbons (1880–1934). The opening of Ottoman archives in
the 1940s redirected
scholarship in newer directions of social and economic history,
and since the mid-twentieth century,
Turkey has continued to produce academic historians such as the
left-leaning economic historian
Mustafa Akdag˘ (1913–1972) and his critic, the distinguished
historian Halil Inalcik
(b. 1916), a student of Köprülü.
As in other regions, since the 1960s social and economic history
have emerged in the Middle
East as serious rivals to an older, politically focused narrative
history. Islamic-focused women’s history
(which can be traced back to entries on women in an older form,
the biographical dictionary
or tabaqat) has also developed, with newer feminist
approaches strongest in Egypt; the male-oriented
and restrictive practices of the Muslim fundamentalist regimes
have themselves become the
subject of study. As Judith E. Tucker notes, recent feminist
historians of Islam, some working
outside the region, have restored women to roles of significant
influence in the longer Muslim
past, for instance in Leila Ahmed’s Women and Gender in Islam and numerous works by the Moroccan
sociologist Fatima Mernissi, such as Women and Islam (1991). Recent collections of essays
such as Guity Nashat and Lois Beck’s Women in Iran from the Rise of Islam to 1800 have also explored
the historical place of women in Islamic societies from very early
times.
Europe and the Americas. The myriad developments of Western
historiography over the past
century could easily merit an article in their own right, but
since they are readily accessible in
other works, the principal developments will only be summarized
briefly here. Broadly speaking,
the trends outlined for the nineteenth century continued into the
first half of the twentieth, though
the Einstein-Planck challenges to Newtonian physics, closely
followed by the horrors of World
War I and the end of the old empires, severely shook whatever
remained of the late-nineteenthcentury
faith in progress and in science. The pessimism following the war’s
unprecedented slaughter
produced some gems of Kulturgeschichte, built on the themes of civilization’s decadence and
decline, such as the Dutch historian Johan Huizinga’s (1872–1945)
brilliant and Burckhardtian
HISTORIOGRAPHY
New Dictionary of the History of Ideas lxxv
aesthetic excavation of The Autumn of the Middle Ages (1919), which could be read as an allegory
for pre-war cultural decadence. A longer and much less subtle
example is the German Oswald
Spengler’s (1880–1936) multivolume speculative analysis of
distinctive cultures through history.
Hearkening back to Nietzsche, and at least superficially
anticipatory of Nazism, The
Decline of the
West was a work of reactionary generalization and extreme intellectual
relativism; largely completed
before the beginning of World War I, it appeared to great fanfare
just at its end. Among
other things, Spengler’s Decline would help to inspire the
very different (if equally speculative and
relativist) British take on comparative civilizations, Arnold
Toynbee’s (1889–1975) A Study of History
(12 vols., 1934–1961), which its author began in earnest in 1920,
after reading Spengler.
Meanwhile, academic reactions to strict scientific history in the
more narrow, positivist sense,
echoing Dilthey’s earlier qualifications, can be seen in the
enormously influential Italian philosopher
and historian, Benedetto Croce (1866–1952). Like Dilthey, Croce
rejected both Rankean
historical method and scientific positivism, arguing instead the
autonomy of history from science,
and the inseparability of history and life—records and documents
only have significance insofar
as living humans can reflect upon them and, indeed, relive them;
conversely, we only make sense
of life by thinking historically. A pronounced antifascist, he
also held to a view of “history as the
story of liberty.” Croce’s views appealed to many, including his
younger British contemporary,
the archaeologist turned philosopher R. G. Collingwood (1889–1943).
Collingwood’s posthumously
published The Idea of History advanced the notion that “all history—is the
history of
thought” and suggested that the historian must empathize with his
or her subjects, enter into the
“interior” of a historical event (the thought of the agent behind
the event), and mentally “re-enact”
it in order to retell it. His book remains very widely read, and
its concept of historical imagination
has come back into vogue with the advent of postmodernism in the
past twenty years. The
Brazilian-born Spanish literary scholar and historian, Américo
Castro (1885–1972) echoed both
Collingwood and the American Carl Becker in his assertion that “To
write history demands a historian
willing (and able) to enter into the living consciousness of
others through the door of his
own life and consciousness” (p. 305). Castro, who fled to the
United States following the Spanish
Civil War further reflected historicist sentiments in his views
upon the inseparability of a people
and its history, and of the relationship between individual and
general histories. In a very
different focus on the human interior, the later works of Sigmund
Freud, especially Moses and
Monotheism (1939), applied his own psychoanalytic theories and clinical
experience to the “diagnosis”
of history. The process of civilization Freud envisaged as an
endless struggle of love and
hate, sex and death, arising from primal patricide, and carried
forward by leader-figures such as
Moses in conflict with the mobs whom they dominated—the irony of
the similarity in this regard
between a Viennese Jew and aspects of the thought of both
Nietzsche and Hitler is difficult
to escape. The European scholarly tradition had without doubt put
some distance between itself
and Ranke’s history wie es eigentlich gewesen.
If irrationalism, skepticism, and pessimism were the dominant
chords struck in Western Europe
and, to a lesser degree, in North America, the dissonant sound
from further east came in the
form of Marxism. Just prior to the Bolshevik Revolution,
Kliuchevskii’s former pupil, Mikhail
Nikolaevich Pokrovskii (1868–1932), developed a Marxist version of
Russian history in his multivolume
study History of Russia from the
Earliest Times to the Rise of Commercial Capitalism (1910–
1914; English trans. 1931). This was endorsed by Lenin and for a
time Pokrovskii was the dominant
force in early Soviet historiography; after his death, however, he
was condemned by Stalin
and abandoned by Party historians for his lack of nationalist
sentiment. Initial tolerance of intellectual
autonomy in the 1920s gave way to rigid Party control in the
1930s, and the state would
have an overbearing influence on history-writing from the purges
of scholars in the 1930s to the
collapse of the Soviet Union seven decades later. This control
spread far beyond the borders of
the USSR to include the various Soviet satellite states and Warsaw
Pact allies in Romania, Poland,
Bulgaria, East Germany, Hungary and Czechoslovakia.
Without state sanctions to support it, academic Marxism never
attained a dominant position
in the West, but had a profound influence nonetheless through the
1980s. Marxist, socialist, or
left-leaning historiography began to appear in the Western
democracies relatively early in the twentieth
century; the leading Norwegian historian of the first half of the
twentieth century, Halvdan
Koht (1873–1965), for instance was an early self-avowed Marxist.
The attraction of Marxism increased
in the aftermath of the financial collapse of 1929 and the ensuing
Great Depression, which
seemed to bear out Marx’s views of the inevitable collapse of
capitalism. The dalliance of many
HISTORIOGRAPHY
lxxvi New Dictionary of the History of Ideas
interwar British and some American intellectuals with communism
provided the earliest examples
of historiography that, in the 1960s, would evolve into Labor
history, “radical history,” and what
is sometimes called “history from below.” Several classics of late
twentieth-century historical writing
such as E. P. Thompson’s (1924–1993) The Making of the English Working Class (1963) and
Georges Lefebvre’s (1874–1959) many books on the French revolution
were written from an explicitly
Marxist, albeit more humanistic, perspective that emphasized the
daily lives of the history’s
underclasses. A modified version of Marxism articulated by the
Italian socialist Antonio Gramsci
(1891–1937), with its concept of cultural “hegemony,” has retained
an influence in much non-
Marxist historical scholarship and literary history.
A very different creation of the interwar period was what has
become known as the Annales
school in France, so called after the journal that began
publication in 1929 at the University of
Strasbourg under the guidance of Marc Bloch (1886–1944) and Lucien
Febvre (1878–1956), two
French scholars much influenced by the earlier work of the
sociologist Durkheim and the geographer
Henri Berr, and with close ties to the Belgian medievalist Henri
Pirenne (1862–1935). The
journal and the “school” (rather a misnomer, albeit useful as a
shorthand) have evolved considerably
through successive generations but remain an influential force in
France and much admired
elsewhere, particularly in North America. The Annalistes’ repudiation of the political history of
previous decades—Febvre condemned Charles Seignobos for an
obsession with events—in favor
of an histoire totale that examined geography, climate, economy, and
agricultural and trade patterns,
as well as manners, still seems fresh after seventy-five years. It
is, however, a further reminder
of the recurrent swing of the pendulum of European
historiographical taste between the social and
the political, the broad and the particular, dating back to the
Enlightenment—and beyond, as far
back as Herodotus and Thucydides.
The Annales historians also advocated a new modus vivendi between
history and the social sciences,
with Fernand Braudel (1902–1985) calling for the subjugation of histoire événementielle
(short-term human actions, for instance in the political world) to
the study of longer periods of
social, material, and economic conjonctures and
the much slower geographical and climatalogical
changes that occurred over the longue durée of
centuries; the classic expression of this layered periodization
is Braudel’s own study of The Mediterranean and the Mediterranean World in the Age
of Philip II . The statistical tendencies of many members of Braudel’s
generation of Annalistes are
most clearly evident in the work of Pierre Chaunu (whose history
of Seville and the Atlantic established
a subgenre often called “serial history” because of its attention
to establishing continuous
series of historical data on such matters as food prices).
Intellectual historians such as Robert
Mandrou and François Furet pioneered a quantitative approach to
the history of mentalités, opening
up what has since evolved into histoire du livre, the history of the book. In more recent decades,
however, the Annales historians have veered away from
quantification to the study of mentalités
in Bloch and Febvre’s mode, with considerably more emphasis being
placed on individual and
collective beliefs, and on life experienced in local settings. The
“microhistory” genre of the late
1970s, 1980s, and 1990s, including works like Emmanuel Le Roy
Ladurie’s Montaillou: The
Promised Land of Error (a study of a medieval Cathar village) and Carlo
Ginzburg’s The Cheese
and the Worms: The Cosmos of a Sixteenth Century
Miller, has proved highly saleable
in the academic
and even popular book market and has spawned numerous European and
North American
imitators.
If any word most characterizes twentieth-century and especially
post-1945 historiography, it
would have to be fragmentation (a
more optimistic descriptor might be diversity). Historians are
now political, military, family, gender, women’s, economic,
social, environmental, intellectual or
cultural, and the expansion of university history departments
especially in the 1960s has encouraged
a high degree of subspecialization, together with a proliferation
of journals and book series
(which the relatively recent introduction of the Internet shows no
sign of slowing down given its
capacity to offer cheap alternatives to conventional print).
Although Marxism has by and large
faded from most North American history departments, social history
has been maintained, albeit
now often dissolved into various components. Among these, women’s
history and its offshoot, the
history of gender (now including masculinity studies) have perhaps
been the most successful in
reshaping the recent agenda of the entire discipline. The history
of particular ethnicities and religions
or sexual orientations has also become more firmly established in
departments and often in
specialty journals. Interdisciplinary approaches to history began
seriously in the 1960s with historians
looking to the social sciences, especially sociology and
economics, for the theoretical
HISTORIOGRAPHY
New Dictionary of the History of Ideas lxxvii
underpinnings that appeared to be lacking from history itself (it
is remarkable how often in the
history of historical writing a great cataclysm has been followed
by a search for new certitudes, a
pronounced skepticism toward old ones, or both in combination).
Among the more interesting if
controversial experiments one must include psychohistory (best
represented by Erik H. Erikson).
Equally debatable has been the use of “counterfactuals” (the
supposition that events in history occurred
in ways other than they actually did, and the attempt to model
mathematically a hypothetical
projected course of events from that alternate starting point),
especially in the “Cliometric”
or New Economic History of American academics such as Robert W.
Fogel. In the 1980s and
1990s, as the stock of sociology and economics began to fall in
the judgment of historians, many
turned instead to the work of cultural anthropologists such as
Clifford Geertz, Marshall Sahlins,
and Victor Turner. (In contrast, social scientists, as Eric H.
Monkkonen and others have argued,
maintain a steadfast claim to the appropriation of history across
their various disciplines, without
necessarily intending by “history” the discipline that historians
actually practice). Meanwhile, the
“history of ideas” has been transformed at one end into cultural
history (including most recently
the history of the book), and at the other into the pursuit of the
meaning of terms and of texts
in their linguistic and/or social contexts. The latter stream is
in turn divisible into a so-called Cambridge
School of the history of political thought, associated with
Quentin Skinner in Britain and
J. G. A. Pocock in the United States, the Begriffsgeschichte (history of political and social concepts)
approach associated with the German Reinhart Koselleck, and the “New
Historicist” and “cultural
materialist” movements in literary criticism
One trend that began in the mid-1970s but has roots in literary
theory and in continental philosophy
(especially the French figures Michel Foucault and Jacques
Derrida, and the Germans Hans-
Georg Gadamer, Martin Heidegger and, more remotely, Friedrich
Nietzsche) is the so-called
linguistic turn in historiography, often identified with the
broader theoretical shift known as postmodernism.
Influenced by cultural theorists such as Roland Barthes, Foucault,
Jacques Lacan, and
Paul Ricoeur, and by the prewar German intellectual Walter
Benjamin, postmodernism also draws
extensively, if often superficially, from cultural anthropology.
The thrust of this has been seriously
to challenge conventional boundaries between history and
literature, leading American exponents
of this view being the Americans Hayden White and Dominick
LaCapra. It has also, as the historical
theorist F. R. Ankersmit suggests, had the effect of “de-disciplining”
and “privatizing” history—
restoring the individual author, as opposed to the institutional
structures erected in the
nineteenth and twentieth centuries, to the center of historical
writing. In its most extreme version
(which is articulated less frequently than postmodernism’s most
severe critics would have us believe),
it hearkens back to Renaissance pyrrhonism in its radical denial
of the fixity of any historical
meaning, the existence of any external reality beyond language (there
are only infinite floating
“signifiers,” and no definable or recoverable “signifieds”), and
the impossibility of making “true”
statements about the past. The position derived from this—that any
version of history is no more
or less valid than another—while seemingly liberal, also opens the
door to the legitimation of morally
repugnant positions such as Holocaust denial. This issue has come
to the fore in recent years through
a number of celebrated cases, most notoriously the 1990s libel
suit brought by Holocaust denier
David Irving against the American historian Deborah Lipstadt, who
had charged him with gross
fabrication and distortion of evidence to support his theories. A
spectacle followed around the globe.
The trial involved the historian Richard Evans and a team of
graduate students scrutinizing David
Irving’s research intensively, the consequences of which were the
utter demolition of his arguments
and an overwhelming legal victory in the year 2000 for Lipstadt
and her publisher.
It is tempting to dismiss much postmodern theorizing,
historiographically, as chaotic and intellectually
anarchistic nonsense, perhaps even a sign of fin-de-siècle
cultural decadence. There has
recently been an extreme conservative reaction to it, epitomized
in the work of the late British
historian Sir Geoffrey Elton, and in the critiques of those who
lament the loss of any sense of
master-narrative. But the postmodern trend has been highly
influential in academic settings (especially
literature departments); and, while still a minority influence in
history departments, it has
found a receptive audience among historians of gender and many
social and cultural historians for
whom it has provided a set of codes and categories to replace
those once derived from Marxism.
While some of its arguments are virtually self-discrediting,
postmodernism has at least provided a
salutary reminder to all historians (if one were really needed)
that, Ranke notwithstanding, documents
and texts never “speak for themselves” but are interpreted by
historians, and, more important,
that even the most “neutral” document was ultimately the creation
of a human being
driven by the assumptions, social pressures, and linguistic
conventions of his or her own time.
HISTORIOGRAPHY
lxxviii New Dictionary of the History of Ideas
Few historians would now endorse the French ancient historian
Fustel de Coulanges’ optimistic
admonition to group of applauding students that it was not he who
spoke to them but “history,
who speaks through me.”
A related variant, postcolonial studies, often associated with the
literary theorists Edward Said
(1935–2003), Gayatri Spivak, and Homi K. Bhabha, has refocused
scholarship concerned with
former colonies such as India on the subjected masses rather than
on the imperial rulers and their
indigenous elite allies or political successors. The Subaltern
School of Indian historiography (the
term derives from Marx and from Antonio Gramsci’s theory of
hegemony) founded by Ranajit
Guha is a prominent example, the academic foundation against which
it rebels having been established
with the rapid increase of university history departments
following independence in 1947,
and the development of social-science–influenced South Asian
studies. Guha in particular has argued
that the Renaissance assignment of non-Europeans to the realm of “peoples
without history”
was compounded by the subsequent imposition of Enlightenment ideas
upon the various colonized
areas of the world, in particular the notion that statehood, as
well as writing, was essential
for a people to achieve historical standing. The colonizers, using
their control of language, education,
and writing, subjected the Indian past, for example, to Western
(and especially Hegelian)
notions of “world-history,” limited by European standards of
chronology and narrative. In other
words, they imposed a kind of imperial “dominance without hegemony”
over a nation’s true sense
of its own history. “History” in the Western sense (projected
backwards onto indigenous itihasa
in an effort to make these seem protohistorical) thus permanently
completed the displacement,
commenced by the Persian-influenced histories of the Mughal era,
of the ancient tradition and
“old lore,” as well as the sense of everyday experience, embodied
in the poetic myths contained
in purana and in epics such as the Ramayana. Vinay Lal, a
critic of Subaltern Studies has adopted
an even more radical position, asserting that the accommodation of
Indian scholars to the very
value of history, not simply adoption of its Western forms, is an
acceptance of servitude. Sumit
Sarkar, an early participant in the Subaltern project, has
criticized it for a growing loss of focus
on the very groups it was designed to rescue from oblivion and for
its swing in the direction of
cultural studies, while endorsing a microhistorical approach
analogous to the practice of Europeans
such as Carlo Ginzburg.
The Latin American experience reflects both European and, more
recently, North American
trends, while some of its historical concerns have for decades
anticipated the very issues raised in
the 1960s by European Marxists such as E. P. Thompson and Eric
Hobsbawm, and more recently
in South Asia by Subaltern scholars. Academic historiography was
firmly established with the foundation
of public archives at the end of the nineteenth century, and the
creation of history departments
at universities. The longest-standing graduate programs date back
to the 1950s and
include El Colegio de México, Universidad Nacional Autónoma de
México, Universidad San Marcos
in Lima, and the Universidad de Chile, but a significant
proportion of academics with doctorates
have acquired them abroad at European (especially Oxford,
Cambridge, and Madrid) and
major American universities, many of which (the University of
Texas and the University of California,
Berkeley, for example) have first-rate library collections and
strong graduate programs in
Latin American studies.
By the end of the nineteenth century, the liberalism and
positivism that had marked the first
decades of postindependence historiography were under duress, in
part owing to a growing alienation
from America and Europe. The Mexican Revolution of 1910–1920, with
its populist and
agrarian origins, suggested that the historical role of Latin
American masses and especially indigenous
and mestizo populations had been seriously underestimated;
moreover, the political and
economic success of many of the liberal states had been mixed at
best. Efforts turned to revisiting
the history of Central and South America from a less Eurocentric
perspective. Historians and
ethnohistorians began to pay special attention to the role of the
indigenous peoples and to the
ethnic intermixture of populations that had produced a distinctive
set of postcolonial societies.
The kinds of anthropological excavation of native perceptions of
the past applied in the South Pacific
have also been employed in Latin America in recent decades. Some
of the features of African
historiography can also be observed here, in particular the
application of Marxist and social science
paradigms such as “dependency” and “modernization” theory. And, as
with India, an antiimperialist
scholarship has developed (encouraged by the ideologically
controversial five hundredth
anniversary celebrations of Columbus’s 1492 expedition) that
insists on the role of European and
especially Iberian colonizers in the “invention” of historical
categories such as “America.”
HISTORIOGRAPHY
New Dictionary of the History of Ideas lxxix
Conclusion
This article has necessarily been selective, summary, and in
places even cursory, in its treatment
of the history of history around the planet. While the differences
between various forms of historical
writing—and different traditions—have deliberately been
emphasized, some connecting
points also exist. There has been a close relationship between the
historical record and the exercise
of power for much of the past four thousand years, power being
taken in the ethnic, social,
and economic as well as narrowly political sense. This is perhaps
another way of putting the old
saw, mentioned at the very beginning of the essay, that “history
is written by the victors,” although
in fact it has just as often been written by the losers (consider
Thucydides, the Indian Felipe
Guamán Poma de Ayala, or the poet and historian John Milton, a
failed revolutionary) and those
bewildered by the specter of sudden or unwelcome change. There has
been an ongoing, dialectic,
and much-changing relationship between literature, legend, myth,
and history, and firm and categorical
divisions between these are by no means the hallmark of all
historical cultures. One may
also observe the recurrent influence of various forms of
present-day self-identification in the construction
of pasts, ranging from the Greek city-states through Renaissance
debates about racial origins,
through Spanish discussions of Visigothic foundations, to the
competing global nationalisms
of the nineteenth and twentieth centuries. Now as then, current
problems and perspectives often
drive the most intense and searching investigation of the past:
Where French and Spanish invasions
of Italy drove Machiavelli and Guicciardini to the past for
explanation, similar calamities inspired
many of the chroniclers of Burma and Thailand in the late
eighteenth and early nineteenth
centuries. Where the Reformation ignited a European debate over
the history of the church, modern
German historians have had to wrestle since 1945 with the problem
of the country’s aggressive
twentieth-century past and the horror of the Holocaust.
At the start of the twenty-first century, there is a high degree
of disintegration and remarkably
little consensus as to what a “proper” historical method is, what
phenomena constitute legitimate
subjects of historical inquiry or whether any historical narrative
merits “privileging” (a favored
term of literary criticism) as true—or at least more true—over any
other. But in facing our own
postmodern confusion, we would be entirely wrong to project a
nostalgic, supposititious, and comfortable
uniformity of opinion onto the historical thought of earlier
times. Let us in closing recall
the differences between Babylonian, Assyrian, and Hebrew
historical writing; Thucydides’ quick
departure from the model established by Herodotus; the
contemporary medieval critics of Geoffrey
of Monmouth’s invented British past; the Qing evidentiary debates;
the pyrrhonist challenge
to historical knowledge in early modern Europe; and the German
quarrels about method in the
late nineteenth century. These are but a few reminders that there
have always been many mansions
in the house of history and an almost infinite number of windows,
each providing a fresh
perspective on to the past.
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HISTORIOGRAPHY
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